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"Why?" is my starting point.

Miki Sakai

Miki Sakai

mua Productions

酒井美紀さんコラム 連載ビジュアル#01

Somehow, before I knew it, I, Miki Sakai, had accumulated various titles. Actress, TV personality, wife, mother... up to this point, it's a common story, right? I think so too.

But then, when you add being a Goodwill Ambassador for World Vision Japan (2007–), an outside director for Fujiya (2021–), completing a master's degree in International Cooperation Studies (2023), and hobbies like Egyptian archaeology, flower arrangement, and flamenco... doesn't that make me seem a bit unusual? I mean, I think so myself.

In " Ten People, Ten Perspectives vol.7, " released on July 31st, I was interviewed on the theme of "Why?"—a question that deeply intrigues me. This series, titled "Wanting to Go Beyond the 'Why?'," is a continuation of that interview. Please bear with Miki Sakai's "Why?" just a little longer.

マルチな活動をする酒井美紀さん(コラージュ)

"Why?" is always my starting point.

Now, about that "Why?"... As an actor, when building a role I've been given, "Why?" is always my starting point. For example, say I'm a supporting character with just one line: "Thank you." For a lead role, their entire character and background might be explored, but a supporting role might only get that one "Thank you."

But that "Hello" should be packed with that person's life, right? What background led her to squeeze out that single word "Hello"? What feelings were behind it? Why did she choose "Hello" among all possible lines? Questions like these just keep coming, one after another. In the acting world, it's often called "character development," but facing those "whys" feels like my own way of developing a role.

今年も、エジプトを訪れました。毎回驚きと感動を与えてくれる古代エジプトの遺跡たち。今回は、ツタンカーメンの次のファラオであるアイの王墓に入りました。一瞬、デジャブのような感覚になり、あることに気がついたんです。そこから、わたしの「なぜ?」ワールドの扉が開き、今、知りたいことが書いてありそうな文献を探している最中です。3300年以上前のことだから、正直、誰にも正解は分からない。でも、それがいいんですよね~。それでいいんです(笑)。
This year, I visited Egypt again. The ancient Egyptian ruins never cease to amaze and move me. This time, I entered the tomb of Pharaoh Ay, the successor to Tutankhamun. For a moment, I felt a sense of déjà vu and realized something. That opened the door to my "why?" world, and now I'm searching for texts that might hold the answers I seek. Honestly, since it happened over 3,300 years ago, no one really knows the right answer. But that's what makes it so great~. That's perfectly fine (laugh).

A journey that starts with "Why?" has no final destination

I believe 90% of an actor's job is thinking "Why?". But this isn't limited to actors, right? It's like when a three-year-old suddenly starts their "Why? Why?" phase. Politics, science, art, sports, business management... I feel like "Why?" is the starting point for every profession. And that "Why?" never truly ends or concludes.

For me, when a "Why?" comes to me, I just start researching. Libraries and big bookstores are the places that save my "Why?" questions, I guess. Once I think, "Ah, I see, that's how it is," I can't hold back the urge to go beyond that "Why?"—to go to the scene of the "Why?" itself, to see what's there, to feel something.

図書館イメージ

Would you care to join me, Miki Sakai, on my "Why?" journey? Next time (#02), I'd like to talk about the "Why?" I face as an actor.

#02へ、つづく
tw

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Author

Miki Sakai

Miki Sakai

mua Productions

Actor/Talent

Born in 1978 in Shizuoka Prefecture. Debuted as a singer in 1993. Made his acting debut in 1995, working extensively in film, television dramas, and stage productions. Major works include the films "Himeyuri no Tō," "Love Letter," and "Abduction"; and the dramas "Shiro Sen Nagashi," "The Butler: Saionji's Brilliant Reasoning," "Tomorrow, Mom Will Be Gone," and "The Vigilante: Proof of Justice." For NHK, he appeared in the historical drama "Aoi: Tokugawa Sandai," "Blanket Cats," "Showa Genroku Rakugo Shinju," and "Babysitter Gin!" In 2023, he completed his master's degree at Toyo Eiwa University Graduate School. He continues diverse activities, serving as a Goodwill Ambassador for the international NGO World Vision Japan and as an outside director for Fujiya.

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