The Vision and Origins of the World's Most Respected Agency
Furukawa: Since its founding in 1982, W+K has consistently delivered world-class work. I hate to ask for the secret, but if there's a unique vision specific to W+K that other agencies don't have, please share it.
Widen: I see W+K as a research institute exploring value beyond business. As our "Fail Harder" wall quote on the first floor states, trial and error fuels our creativity. That's why we don't have cookie-cutter people. I want each Creative Director to approach their work with a distinct perspective.
Furukawa: Mega-agencies often share fundamental methodologies, but you emphasize distinct individual creativity instead. By actively encouraging practical failure, the organization strengthens individuals. This has been consistent since founding.
Wieden: Initially, we were in Portland, a regional city, with only one consumer goods client: Nike. Nike was still a small company with an ad budget of just $1 million. So, the only people we could hire were fresh-out-of-school kids or those who'd been fired from their previous jobs. We had this self-awareness that we were a "bunch of idiots" (laughs).
Furukawa: That's romantic. It seems almost unimaginable now, yet the spirit of that time still feels carried forward. What became of that "bunch of idiots"?
Wieden: As we built our track record, we faced poaching attempts. But instead of retaining people with salary, we focused on making them feel the value in helping shape our culture. We also showed through our actions that "here, you have the freedom and assurance to do the best work of your life." This is the first time I'm sharing this publicly, but several years ago, we established a trust to manage our shares, ensuring the company would never be sold. I believe this independence is why people seeking leadership roles choose to join W+K. We encourage individuals to hone their strong personalities while collaborating and uniting with others. We always emphasize the importance of thinking collectively, not just individually, and finding ways to maximize one's potential within that group.
Furukawa: I imagine the organization is completely different now compared to when it was founded.
Wieden: I sometimes wonder if we've grown too large.
Furukawa: That's a bit surprising. Even with strong branches beyond Portland, like London and Amsterdam, you're not expanding recklessly. That's precisely why I sense that W+K DNA you mentioned earlier in your recent work. It's something rarely seen in mega-agencies.
Wieden: Conversely, it's truly remarkable that Dentsu Inc., despite its unimaginably large scale, has consistently delivered high-quality creative work for so many years. Your company's activities have been widely covered recently, and I hold you in deep respect.
Furukawa: Thank you. We feel we're gradually moving in a positive direction, too.

The Portland, Oregon headquarters is a six-story building converted from a warehouse. Approximately 700 people work on creative projects in this open space, bathed in the dazzling sunlight and framed by the clear blue skies of the West Coast visible through large windows. The mural displaying the employee motto "Fail Harder" was created by W+K 12 students over hundreds of hours using approximately 120,000 transparent thumbtacks.
Nike Work
Furukawa: Tell me about the Nike project we mentioned earlier. How did it get started? There are all sorts of legends about it. Like how you and CEO Phil Knight always held meetings on the golf course...
Wieden: That's impossible. Phil doesn't play golf.
Furukawa: Oh, really? In Japan, it was widely believed that Phil Knight and Dan Wieden decided everything important on the green.
Wieden: No. It was at a sales meeting in Idaho. He started by saying, "My name is Phil Knight, and I don't believe in advertising." But in the end, it turned out to be the best meeting for both of them. Phil said, "If you're going to advertise in magazines, write copy that's aimed at runners, not the general public. That way, the general public will actually listen, and it will be more interesting." I was very interested when I heard this. You understand, right?
Furukawa: That's brilliant direction.
Wieden: Because Nike always wanted to go in a different direction than everyone else, we could do the same with our creative work—head in a direction others weren't going.
Furukawa: So Nike happily brought out what you were aiming for. But if we don't have something to bring to the table, no matter how great the pass, we can't make it count.