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ABEMA Prime × PIVOT Producer Discussion ~ How Should Companies Engage with "Video Media"?

Kaku Akiaki

Kaku Akiaki

TV Asahi Corporation

Kokuyama Hassen

Kokuyama Hassen

PIVOT Co., Ltd.

Yoshifumi Sato

Yoshifumi Sato

Dentsu Inc.

Video media is booming right now.

ABEMA Prime (hereafter ABEMA), a pioneering news program in video media, is now in its eighth year since launch and has attracted a large audience of viewers in their 20s and 30s. PIVOT, a business video media platform launched in 2021, has rapidly gained recognition at an astonishing pace. Both media outlets have over 1.5 million YouTube channel subscribers (as of April 16, 2024).

How should companies engage with video media?

Dentsu Inc. planner Yoshifumi Sato, who handles corporate PR and promotions, interviewed guests Akira Guo, producer of ABEMA Prime, and Hasen Kuniyama, producer of PIVOT.

Read the first article in the series here
ABEMA Prime × PIVOT Producers' Discussion: Why Are "Video Media" Gaining Support?

 
・ABEMA Prime……A news program launched simultaneously with ABEMA's debut in 2016. Information covered in the program is also distributed via the news media "ABEMA TIMES" and YouTube. Its official YouTube channel has 1.51 million subscribers (as of April 16, 2024), with over half of subscribers in their 20s and 30s.

・PIVOT……Launched in 2021 as a business video media platform. It features daily learning content on management, finance, careers, and business skills, inviting leading executives and experts as guests. Focusing heavily on video content, its official YouTube channel surpassed 100,000 subscribers within six months of its June 2022 launch, with cumulative views reaching 18.9 million. As of April 16, 2024, the subscriber count stands at 1.54 million.

 
ABEMA Prime PIVOT

Is direct product/service promotion less effective?

──Last time, we discussed why video media is gaining traction now. This time, I'd like to explore the "video media × corporate" angle. In recent years, the number of video media outlets has increased, and habits of watching news and educational video content have become established. Do you sense any changes in how corporate information is covered within video media?

Guo: Information that seems transparent—like "this is how we should communicate this"—might come across as too much like advertising, causing resistance among viewers. This isn't necessarily the fault of the companies; I think it's because people are exposed to a massive amount of ads when browsing the internet today. In the current landscape where information about products and services is often delivered unilaterally, I feel that communication which isn't overly direct is more readily accepted.

ABEMA Prime

Akira Kaku: Chief Producer, ABEMA Prime. Joined the launch of "ABEMA" in 2016. Established the news-specialized channel under the concept "If something happens, go to ABEMA."

──I sense that shift in advertising too. Previously, when advertising products or services, it wasn't uncommon to see assertive messages like "this is how it should be" or "this is the only way," almost like loud proclamations. But now, I feel such expressions are less accepted. Rather than companies making bold claims, it's more about creating a space, so to speak. In video media tie-ups, the extra information generated can be positive, potentially leading to flexible content that avoids rigidity.

Kaku: There are many benefits to creating sponsored content. Compared to the traditional, front-door approach like news coverage, it often allows us to introduce scenes, objects, or stories that wouldn't be accessible otherwise. I believe it fosters a win-win relationship between companies and media.

Kuni: At PIVOT, sponsored content also allows us to delve into the inner workings of companies and truly feel the client's vision firsthand, which makes it incredibly rewarding.

──Historically, corporate tie-ins in advertising have often prioritized promoting products or services. Going forward, I feel we need to communicate at a higher level—like "how we'll shift societal awareness."

Entertainment value will be increasingly demanded in corporate communications.

──Regarding corporate information, is there any type of content you'd particularly like to feature?

Guo: Most corporate representatives appearing in media are CEOs or executives, and they lack that "employee vibe." You never see someone angry, saying something like, "I pitched this project to my boss, but it got shot down." But I think the spotlight will shift more to frontline staff and internal influencers. After all, most people in the world are employees.

──Corporate PR often says that having presidents or executives appear gets better media traction. But for video media viewers, behind-the-scenes stories from employees are more interesting.

Kuni: That's right. PIVOT has previously created tie-up content with people on the front lines, not corporate executives, and I expect this trend to grow. Also, while I'm a producer and MC for PIVOT, when I appear on the show, I prioritize projecting a "businessperson vibe" rather than just being the producer. I feel that resonates better with viewers.

PIVOT

Kuniya Hassen: PIVOT Producer. After working as an announcer at TBS Television, he joined PIVOT as a producer in January 2023. Responsible for program appearances and planning/production.

Guo: There's definitely room to be more creative in how corporate information is communicated. Companies are seriously tackling issues like SDGs, diversity, and work-life balance now, but depending on how it's presented, it can come across as insincere. From the consumer's perspective, it might seem like they're just spouting empty platitudes. That's a real waste.

By co-creating messages with us as a video media outlet, I believe we can make corporate initiatives more accessible to the general public—or rather, align them with the values of everyday consumers. I think that's what will be demanded of us going forward. Regarding how corporate information is communicated, corporate owned media often provides valuable reference points.

Kuniyama: I think corporate owned media will really take off from here. The video quality keeps improving, and it's becoming more like entertainment, right?

Guo: For example, on one automaker's owned media, engineers passionately discussed autonomous driving using their own words, based on their personal experiences. There are things they can't say in interviews with external media, but they can share on their own platform. That's where you hear the more genuine stories. Watching that, I realize, "So this company has people who can talk like this," and it gets me excited. If they're having such open discussions, I sometimes think, "I'd love to have them on our show next."

──So there's also a trend from corporate owned media to video media, right?

Guo: Mercari has dedicated videographers. They're essentially like in-house YouTubers. They create various videos for employees. For example, as Mercari has more Indian engineers, they made an MV-style video set to Indian music showing their arrival at the Japanese office. Initiatives like this boost morale internally, and the engineers featured in the video must be happy too. While these videos are also viewable externally, I believe they successfully convey the image of Mercari as an exciting company that takes on new challenges.

──Videos are really eye-catching, aren't they?

Guo: Mercari's owned media is great, both the videos and the text. It's really inspiring for us too. Even their internal content is properly edited and designed.

──That's interesting. Rather than advertising their own business to make it look good, they share behind-the-scenes information that was previously hard to convey. That might actually be more essential. Creating such projects could be effective for the company too.

Guo: I believe it is effective. The job-hunting site "ONE CAREER PLUS" had a feature where people who left Sumitomo Mitsui Banking Corporation (SMBC) shared their honest thoughts directly with HR from their former employer. SMBC was actually sponsoring this feature. In this era where changing jobs is becoming commonplace, I think the intent was to communicate that even after leaving a company, you can leverage the skills you've cultivated, and also to share career information like, "If you join us, you can pivot to these kinds of career paths." It's not a typical form of corporate communication, but I thought it was very well done.

Kunioka: Corporate communication methods are evolving, aren't they? Video media directors who can create content conveying the "behind-the-scenes" or real side of companies are highly valued. Currently, there's a trend of terrestrial broadcast announcers and producers transitioning to corporate roles. I believe the mobility of broadcast professionals will increase further. Within video media, entertainment value and novel ways of conveying and presenting information will be increasingly sought after.

──Hearing both of you speak, it's clear that video media demands a different approach to conveying corporate information than traditional tie-ups or PR. There seems to be new potential in how companies communicate their information, including their products and services. Thank you both for today.

tw

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Author

Kaku Akiaki

Kaku Akiaki

TV Asahi Corporation

Joined TV Asahi as a new graduate in 2010, working as a reporter and director in the News Division. Joined the launch of ABEMA, a new future television platform, in 2016. Led the launch of a dedicated news channel under the concept "If something happens, turn to ABEMA immediately." Currently serves as Chief Producer for the news program "ABEMA Prime."

Kokuyama Hassen

Kokuyama Hassen

PIVOT Co., Ltd.

As an announcer at TBS Television, he has served as a news anchor for programs like "news23," "N-Sta," and "Akko ni Omakase!," handling a wide range of roles from news programs to sports, information, and variety shows. He joined PIVOT as a producer in January 2023, where he is responsible for program appearances and planning/production. He is a father of one who loves soccer and Japanese sake.

Yoshifumi Sato

Yoshifumi Sato

Dentsu Inc.

I've been in the PR sector for about six years and enjoy planning projects rooted in PR. I belong to the Future Creative Center. My main work includes Kai Corporation's "#Shave with Freedom," Kai Corporation's "Gentle Cutting Dictionary," Yukimi Daifuku's "Yukimi Daifuku Campaign," and Itochu Corporation's "Onomatopoeia Prescription Exhibition."

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