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ロンドンの街には、古着回収ボックスがあります
There are vintage clothing collection boxes throughout the streets of London.

London is said to be a place where public consciousness has always been strong. It is the birthplace of the National Trust system, where individuals pool donations to purchase land for nature conservation. Museums and galleries are operated through donations and open to the public free of charge. This history of citizens themselves winning mechanisms to improve society likely feeds into their confidence and pride.

Beyond that, London boasts robust social systems accelerating social design. For instance, there are tax incentives for social projects. Even without an organizational structure like an NPO, if a project is recognized as having high social value, the government properly evaluates and supports it.

Recently, a membership-based shared office called The Hub (hereafter Hub London) was established. It's gaining attention as a creative space where individuals, primarily freelancers and small business owners interested in social issues, gather, connect, and network. The City of London has invested a substantial 20% stake in Hub London. Even more surprisingly, over a dozen employees from the national broadcaster BBC are registered as individual members. Places where information converges and people connect on a level playing field are also where social design emerges. Both the government and the media highly value this movement.

It is precisely because people possess a daily social mindset—one conscious of the public sphere—that social elements naturally integrate into design. Because the potential of design is understood, sophisticated creative products and services are increasingly embraced by the market.

ハブロンドンの玄関
Hub London's Entrance

Symbolically representing this was the work "Dumb Ways to Die," created for Melbourne Railways' fatal accident prevention campaign, which won numerous awards at this year's Cannes Lions. This video, featuring adorable characters singing and dancing, contained elements of cynical expression and dark humor. Yet it garnered attention across numerous media, including television, was shared globally, and actually achieved results in preventing fatal accidents. Cases where creativity is freely exercised on such highly public and sensitive social themes are almost unheard of in Japan. I felt that cultivating a social environment receptive to creativity also contributes to enhancing social design.

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Author

Takato Fukui

Takato Fukui

Dentsu Inc.

Joined Dentsu Inc. in 1991. Representative of Dentsu Social Design Engine. Representative Director of NPO 2025 PROJECT. Creative Director/Art Director. Awarded at Cannes, NYADC, ADC, and numerous other competitions. Part-time lecturer at Kanazawa College of Art, Kumamoto University, Sophia University, and Miyagi University. Book production credits include: The Missing Piece (Shogakukan), Love Peace &amp; Green: The Missing Piece 2 (Shogakukan), Eco Words (Shogakukan), 44 Jobs That Change the World (Discover 21), It Might Be Me Who Saves This Child (Shogakukan), <a href="http://www.sendenkaigi.com/books/internet/1262">Creating Hope: The Work of Social Design</a> (Sendenkaigi).

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