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Series IconHow to Find That One Phrase [4/10]
Published Date: 2014/11/20

Write 400 characters, then cut it in half.

Copywriting consists of a short, impactful catchphrase and body copy that elaborates on the story, product features, and value. Try writing this body copy on a single sheet of manuscript paper—say, 400 characters—then drastically cut it down to half. You'll discover something significant.

Below is a training exercise I actually learned during an in-house workshop, developed by copywriter Yasuyuki Suzuki.

●条件1:次の20字×8行の文章を、20字×3行に縮める。 ●条件2:1日おいての書き直しを、少なくとも3回は重ねる。【原文】エビス顔なのでみんなから愛称、フクチャン と呼ばれている雑誌編集者の福島信男さんは、かねてから断ちたい断ちたいと思っていたタバコを昨年の夏ごろからやめることに成功できたので、嬉しそうである。しかしまだ半年である。しかも、なにしろまわりには愛煙家 が多い。変わらずエビス顔ながら、ときおり明らかに誘惑と闘っている風の表情を見せる。

The requirement was "at least three times," but I decided to push myself and continued for 19 days, writing 19 pieces. Below is the progression.

【第1稿】タバコをやめることに成功したフクチャンこと、福島信男さんは、ときおりまた、タバコを吸いたいという誘惑と闘っているようだ。

This draft strips away peripheral information like Fukuchan's many smoking friends and his job as a magazine editor, simplifying his situation. However, depicting Fukuchan's feelings a bit more might better explain his struggle against the temptation to smoke.

【第2稿】 ああ、困った。と、福島氏は思った。半年前から禁煙しているのに、周りの人たちが吸い始めるので、吸いたい誘惑に駆られるのだ。

This draft focuses even more on Fukuchan's feelings. However, it completely obscures who Fukuchan actually is as a person. It seems better to write more about Fukuchan.

【第3稿】フクチャンと呼ばれるほど立派なエビス顔の福島氏。しかし、その表情が曇るときもある。禁煙中のタバコを目の前で吸われるときだ。

The description "Ebisu-faced" has been added. However, information like his job as a magazine editor and how long he's been smoke-free remains omitted.
After relentlessly rewriting, by the 10th draft on the 10th day, the information has become much more organized.

【第10稿】エビス顔の福島さんは念願叶って半年ほど禁煙中。でもまだ半年で、雑誌編集の仕事には愛煙家も多い。喫煙の誘惑で彼の表情が曇る。

...Well, after continuing this for 19 days, the 19th draft became as follows.

【最終稿】 念願の禁煙おめでとう、フクチャン。でもまだ半年。雑誌編集の現場は愛煙家も多い。エビス顔の奥でうずく葛藤を僕は見逃さないよ。

Finally, the writer, "I," made an appearance.

However, when I showed it to Mr. Suzuki, he gave me harsh criticism: "Anyone who writes something like this is disqualified. It's nonsense." The final draft was especially bad. The reason? "The writer is too prominent."

Mr. Suzuki said,
"Copywriting is about relaying. The copywriter's role is to act as a filter, conveying the essence within the client's product to the consumer. It's problematic when the writer's own feelings seep into that filter."
This is the very essence of copywriting.

Mr. Suzuki summarized the earlier text like this:

雑誌編集者の福島信男(フクチャン)さんは昨夏に、念願の断煙に成功した。仕事柄、誘惑が多い。生来のエビス顔がときおり口眞一文字の顔になる。

Fukuchan, who we can tell from the original text is a bit on the chubby side. What is Fukuchan feeling right now? Given his job, he spends every day being sensitive to all sorts of people. Can the word "quit smoking" truly express that "I want to quit, I want to quit" feeling? There must be a stronger word. So, instead of "quit smoking," he chose "quit the smoke." By adding the ruby reading "Fukuchan" to Fukushima Nobuo's name, the text length remains unchanged while conveying additional information. ...It's nothing short of masterful craftsmanship.

While facing harsh criticism, I did receive a small compliment regarding the 19 actions I wrote: "From a creative perspective, it's worth acknowledging that you aimed for text people would read and find interesting, rather than just shrinking the original."
In other words, this delicate balance is precisely what advertising is all about.

When creating proposals, I find that challenging myself to think, "What remains if I cut what I want to say in half?" often results in a surprisingly simple yet powerful message.
The key is to cut it down drastically—800 characters to 400, 100 characters to 50. Give it a try.

400字書いたら半分に削る。

Illustration: Akihiro Negishi (Dentsu Inc., Creative Planning Division 4)

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Author

Yosuke Watanabe

Yosuke Watanabe

Dentsu Inc.

4th CR Planning Bureau (on assignment to Dentsu Inc. Isobar)

Copywriter. Joined the company in 2007. Major awards include: TCC Newcomer Award, Silver Prize at the Sendenkaigi Awards, ACC Bronze Award, Excellence Award at the Transportation Advertising Grand Prix, Excellence Award at the Nippon Cultural Broadcasting Radio CM Contest, and D&AD Wood Pencil. Author of "How to Find That One Phrase" (Jitsumu Kyōiku Shuppan).

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Write 400 characters, then cut it in half.