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The "Good JAPAN Innovation" project brings together exceptional Japanese craftsmanship and Dentsu Inc. art directors under the theme "Traditional Crafts × Design" to create collaborative works and share new value globally. The sixth installment focuses on traditional crafts from Okayama: "Denim." With the cooperation of Japan Blue Inc., a denim panda born from fabric has been created.

完成したデニムパンダ
The completed Denim Panda
完成したデニムパンダ

Okayama is famous for the Momotaro legend. What if Momotaro, who defeated the demons, had lived until modern times? What if Momotaro somehow transformed into a panda and wore jeans...?

I, Nakamura, came up with this idea and decided to consult Satoshi Teshirogi at Dentsu West Japan Inc. Okayama branch. Mr. Teshirogi said, "There's a brand called Momotaro Jeans in Kojima, so why don't we go together?" And so, off we went to Kojima, the birthplace of domestic jeans.

Kojima's Denim Culture

Long ago, Kojima in Kurashiki City developed its textile industry rooted in cotton cultivation. This area was once a major production hub for school uniforms. With abundant materials and high technical expertise, production shifted to jeans in the 1970s.

Although it suffered a major blow from the rise of fast fashion, it has recovered thanks to unique processing techniques and the uncompromising craftsmanship of its artisans. Today, it receives numerous offers from famous international brands.

Japan Blue, who we asked to collaborate this time, is a central player in Kojima denim. They expand globally with denim that obsessively focuses on dyeing and weaving, starting with their own brand, "Momotaro Jeans."

デニム推しが一目で分かる、児島駅
Kojima Station, where denim enthusiasts are instantly recognized
 
穏やかな瀬戸内海、先には瀬戸大橋が見える
The calm Seto Inland Sea, with the Seto Ohashi Bridge visible ahead

 
I wanted to create a panda that pursued realism

My first thought was that I absolutely didn't want it to be a cute mascot character. I envisioned creating a panda out of denim – one that was huge, eccentric, and would burn itself into your memory the moment you saw it. The motif, inspired by Okayama, is Momotaro.

From here, days of trial and error followed as we figured out how to bring it to life. First, based on my rough sketches, we held repeated meetings centered around Japan Blue's Kensaku Nagata to discuss the construction method.

実際の商品を見ながらパンダのサイズを打ち合わせ
Discussing the panda's size while looking at the actual product
イメージを伝えるために何度も描いたラフスケッチ
Rough sketches drawn repeatedly to convey the image
生地見本を用意してもらい、色やダメージ感を吟味していきます
We prepare fabric samples and carefully evaluate the colors and distressed effects
イメージを伝えるために何度も描いたラフスケッチ

After discussion, we decided to create the parts as separate "face," "upper body," and "lower body" sections. For the face, we bought a bear stuffed animal, took it apart for reference, and created a pattern. Inside the denim, we stuffed it with Zimbabwe cotton, known for its flexibility and durability. The feel through the denim is just like human skin. But this adds significant weight.

To make it stand on its own, we bought a frame from a home improvement store, embedded it inside the denim, and then added cotton for body filler. Finally, we put gloves on its hands and shoes on its feet to complete it. As an aside, the sight of a man transporting a panda in his car on the morning commute from home to Okayama was undoubtedly police-reporting level.

繊維のつなぎ目が少なく丈夫で、光沢とソフト感に優れたジンバブエコットン
Zimbabwe cotton boasts fewer fiber joints for strength, plus excellent sheen and softness.
手の部分をつくるジャパンブルー永田さん
Mr. Nagata of Japan Blue creating the hand section
自立させるため骨組みにコットンをかぶせる。パンダなのでおなかの辺りはホワイト
Cover the frame with cotton to make it stand on its own. Since it's a panda, the belly area is white.
全員で雰囲気を確認
Everyone checks the overall look

Master craftsmen give the fabric character using various denim processing techniques

To make the new denim fabric look aged, various special treatments were applied to the panda fabric. Entering at this stage was Mr. Noriaki Nishiyama, a processing artisan from Mito. His skill in capturing the image we conveyed and executing it beyond expectations in one go was truly remarkable.

For instance, we recreated the demon's blood splatter on the face using aluminum paste processing, as we imagined the blood would be silver. To express battle scars, over 10 types of special processing were applied to the denim fabric: whiskering, shaving, distressing, crushing, bleaching, bio-washing, remake processing, spraying, and burner processing.

デニム加工を施す職人の西山さん
Denim processing artisan Mr. Nishiyama
細かい箇所まで加工をつけてリアリティーを追求
Pursuing realism by applying processing to even the finest details
アルミペースト加工でつけられた鬼の返り血
Demon's blood splatter applied with aluminum paste
細かい箇所まで加工をつけてリアリティーを追求

Completion, and then to the shoot

Thus, the denim panda finished overnight the day before the shoot was photographed not on Oni Island, but on the remote island of Rokuguchi Island in Okayama. Early in the morning, we chartered a boat and headed to the natural monument "Elephant Rock," a bizarre rock formation resembling an elephant. This bizarre project—featuring a panda instead of Momotaro, and an elephant as the location—was successfully completed.

完成、そして撮影
完成、そして撮影
完成、そして撮影

 

Making-of Movie

 
Planning Support & Denim Fabric Procurement: Katsuya Kimura, Kensaku Nagata, Hiromi Nishihara (Japan Blue)
Denim Fabric Processing: Norihiko Nishiyama (Bito)
Produced by: Satoshi Teshirogi (Dentsu West Japan Inc.)
Making Filming & Editing: Shoji Yasui, Koichi Susumu (Biyori)
Stills: Rihiro Ikeda (D-76)

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Author

Kensaku Nagata

Kensaku Nagata

Japan Blue Co., Ltd.

Joined the company in 2009. Responsible for planning and production of all products, primarily the company's own brand "Momotaro Jeans".

Nishiyama Norihiko

Nishiyama Norihiko

Bito Co., Ltd.

Born in Okayama in 1980. Leveraging experience working in shops, transitioned into denim processing design and planning/sales. Handles vintage processing and ultra-layered processing involving up to 40 steps. Particularly skilled in chemical-based processing, and currently focuses on eco-friendly denim dyeing using natural materials like tea and red ochre.

Satoshi Teshirogi

Satoshi Teshirogi

Dentsu West Japan Inc.

I worked at an advertising agency in Tokyo, but longing for the freedom of local advertising, I joined Dentsu West Japan Inc. in 2006. I organize the "Okayama Advertising Hot Springs," an advertising exhibition where local ads are publicly displayed and judged.

Seishi Nakamura

Seishi Nakamura

Dentsu Inc.

I just want to do things that are fun.

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