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ミニッツブック「ソーシャルデザインの広め方」永井一史×福島治×並河進

The third installment of the "DENTSU DESIGN TALK" series has been released from Kadokawa Minutes Book, a compact e-book label operated by BookWalker Co., Ltd.
The third installment is "How to Spread Social Design," featuring Kazufumi Nagai, founder of HAKUHODO DESIGN; Osamu Fukushima, founder of Fukushima Design after working at ADK; and Susumu Namikawa of Dentsu Inc. Social Design Engine. We will gradually introduce the talks of these three individuals, who explored their relationship with society and connected through UNICEF's "Prayer Tree Project."

<How to Connect Personal Motivation to Social Good>

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Namikawa: Connecting personal motivation with social issues is incredibly important, right? During the "Prayer Tree" project, seeing Nagai-san's approach—where the designer's motivation came from knowing their design would be displayed in Ginza—felt like a very real way of designing.

My approach isn't based on the idea that "people will come if it's for the disaster area." What matters is that personal motivation and social issues overlap – both for me personally and for the team members involved. In that sense, even with the hypocrisy example earlier, if participants feel they're doing it 100% for someone else, it can become about "doing a favor." But if they can participate with about 50% personal motivation, then even if that personal need isn't fully met, it doesn't feel like a betrayal. It can just be about personal fulfillment.

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Nagai: Being able to design that way might be a perspective unique to those working in advertising and communication, where you consider both sender and receiver simultaneously.

Fukushima: Greens' proposal to "make social events personal" is ultimately because people don't see things as their own problems unless they do that. Even with the Olympics, why do we support Japan? Or with Koshien, why do we support the baseball players from our home prefectures? People want to find something that overlaps with themselves, and because they have a desire to support it, whether it's their hobby, their connections with people, or their work, it leads to a sense of duty, which is a different perspective from religion.

I was the one who first suggested the "Prayer Tree," but Nagai-san clearly stated from the start: "If we remove the design perspective, it loses meaning for us and becomes an ambiguous motivation." Even when I insisted, "Let's just raise the money," he replied, "No, that won't work."

We focused on defining what we should do, who we wanted to resonate with, and what our ultimate goal was. Through repeated discussions, our project vision became clearer. During those talks, Mr. Nagai and I constantly pondered, "What exactly is our professional role? What is design?" and we gained many insights. I completely agree with what Mr. Namikawa just said.

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Namikawa: In Japan, the underlying ethics and norms are largely shared. Beyond that, it's left to individual motivation—those who want to do it will, and you don't force it on those who don't. That's the foundational mindset, right? Trying to force ethical actions in that context meets significant resistance in Japan. That's where it differs from the Western approach. I believe the best approach worldwide would be to design systems that respect individual motivation. While everyone shares the underlying desire to improve society, we should build social good initiatives that respect personal motivation. If we can successfully create such systems, that seems like the optimal way forward.

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Nagai: Rather than forcing people to do good, it's about skillfully drawing out what's already within each person's heart and connecting it to positive action. That's precisely where communication and design can make a difference.

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The e-book is available for purchase below

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Author

Kazufumi Nagai

Kazufumi Nagai

HAKUHODO DESIGN

Born in 1961. After graduating from Tama Art University in 1985, joined Hakuhodo Inc. In 2003, he established HAKUHODO DESIGN Inc. In 2007, he spearheaded the Hakuhodo+design project, which undertakes activities to support solving social issues through design. From 2008, he served as editor-in-chief of the magazine "Kōkoku" for three years. Recipient of numerous awards including the Mainichi Design Award, Creator of the Year, and the ADC Grand Prix.

Fukushima Osamu

Fukushima Osamu

Fukushima Design

Born in 1958. Professor, Department of Design, Tokyo Polytechnic University. Graduated from the Graphic Design Course at Japan Design Institute. Worked at Katsumi Asaba Design Studio and ADK before establishing Fukushima Design in 1999. His activities span social design, design education, graphic design, advertising, and more. He supports the activities of the Artability Library for Artists with Disabilities, and engages in design and lecture activities centered on social communication. This includes planning and implementing projects like the UNICEF Prayer Tree Project and the JAGDA Gentle Handkerchief Project, as well as organizing exhibitions themed around social contribution. Recipient of numerous awards, including the Tokyo ADC Award, Cannes Lions International Festival of Creativity Gold and Bronze Lions, and the World Poster Triennale Toyama Grand Prix.

Susumu Namikawa

Susumu Namikawa

Dentsu Japan

Specializes in AI-driven projects and social initiatives connecting businesses and society. Launched Dentsu Creative Intelligence in September 2022. Initiated joint research with the University of Tokyo AI Center. Serves as Unit Leader of the Augmented Creativity Unit. Author of numerous publications including "Social Design" (Kiraku-sha) and "Communication Shift" (Hatori Shoten). Recipient of multiple awards including the Yomiuri Advertising Grand Prize and the Dentsu Advertising Award.

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